I wasn’t a fan of the Motion Picture Academy’s decision to expand its field of Best Picture nominees to a crowded 10. But maybe the Academy is onto something. This year it has given its membership the opportunity to recognize a range of work that includes small independent films, big-budget blockbusters, thoughtful biographies, an animated film, a comedy (of sorts), and even an old-fashioned Western.
I don’t know which of these fine films will take home the statue, but I think I’ll be satisfied this year no matter what. Here is a quick review of each of the Best Picture nominees.
Inception. The most exciting, astounding film of the year, this psychological thriller stunned audiences with its mindboggling cityscapes folding into themselves, how’d-they-do-that weightlessness, multiple layers of reality, and action scenes worthy of a James Bond film. Added to all that are the creative musical score by Hans Zimmer (also nominated for an Oscar); knock-out performances by Joseph Gordon-Levitt, Leonardo DiCaprio, and Marion Cotillard; and an intellectual script that challenges the viewers’ perception of reality and of how beliefs are formed. Months after the film’s release, fans are still arguing about its central meaning: The action takes place inside a dream, but whose dream is it? (I know — do you?) Unaccountably, writer-director Christopher Nolan was shut out of the nominations for Best Director. Also, the film was probably too popular at the box office to take home the prize. But I’m glad to see it nominated. It’s my favorite studio film this year.
Winter’s Bone. This rugged little indie film was my happiest surprise of the morning when the nominees were announced. Ree Dolley (Jennifer Lawrence, nominated for Best Actress) is the most libertarian heroine in the movies this year. When her meth-lab father puts the family farm up for collateral with a bail bondsman, then vanishes from town, Ree must track him down and bring him to court to keep from forfeiting the homestead. She is the kind of self-reliant heroine one can genuinely admire. A high school student raising her two young siblings, she briefly considers joining the Army to take advantage of the $40,000 enlistment bonus — but she does not consider turning to the government for welfare handouts. Despite her family’s deep poverty, there is no evidence of social workers, child protective services, section 8 housing, or even food stamps. The film is set in the Ozarks, in a closed, insulated community where people eat off the land, or they don’t eat at all; and Ree manages not only to eat but to triumph over her difficult surroundings. I’m delighted that this film will be brought back for viewing, now that it has been nominated for Best Picture.
127 Hours. If Ree Dolley is the most libertarian heroine of 2010, Aron Ralston (James Franco, nominated for Best Actor) of 127 Hours is her male counterpart. When Aron gets pinned by a large boulder after falling into a crevasse while hiking in a Utah canyon, he sets to work figuring out how to free himself — which he does in a heroic and horrifying way. This film could have been claustrophobic and gratuitously graphic, but instead it is a celebration of level-headed innovation and the drive for self-preservation. Moreover, it is a powerful metaphor for life in the new millennium. We hurtled our way through the go-go nineties, pumped up by a soaring stock market and roaring real estate investments, only to be pinned down by boulders that were, as Aron philosophizes, “there all along, just waiting to meet me in that canyon.” Too many people waste precious time crying over their problems or waiting for “someone” (read: the government) to fix them. But as Aron Ralston’s story clearly demonstrates, the key to success is to assume that no one is coming to bail you out. Instead of worrying about the cell phone you don’t have, assess the tools you do have. Keep a positive spirit. Be resourceful and self-reliant. Be a problem-solver. Remember to thank the people in your life and tell them that you love them. And don’t be afraid to let go of the thing that is holding you back, even if it is as precious as an arm.